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An an interview with our very own President of the Rebus Board, Daniel Savage, is featured in the monthly Digest for the Australian Network for Art & Technology (ANAT)
 
For the past 34 years from its home base in Adelaide, South Australia, ANAT has been at the forefront of the global uptake of artists working with the science and technology sectors.
 
ANAT expedites experimentation and innovation across art, science and technology by identifying opportunities and delivering projects that enable artists to contribute meaningfully to Australia’s reputation for creativity, diversity and innovation.
 
Daniel Savage is a Canberra based artist, curator and advocate working primarily in photography, video and performance. His practice is concerned broadly with perception, investigating the way our perceptions influence and affect our interactions with art, each other and the physical world. His work is often self-referential, employing his individual experience of disability as a point of difference to engage audiences in exploring and reassessing establish ideas and preconceptions that exist within society.

Here is an excerpt form the interview:

Can you tell us about your connection to ANAT in 2016 with Unfixed and in 2020 as a guest for #ANATsoapbox?
I was fortunate to be selected as one of the Australian artists to attend Unfixed. The scope and ambition for a residency focused on Disability and how the lived experience of disability creates a unique perspective on the arts was unlike anything that had occurred in Australia before and the opportunity to engage with ten other disabled artists from around Australia and the UK has had a significant impact on the way I think about the work I make and how I exhibited it.

I was then invited to take over the ANAT Instagram for #ANATsoapbox in 2020 at a time when I was experimenting with digital art and augmented reality as a way to both make my work more accessible and shift my audience from a passive viewer to active participant in the work.

Everybody’s a storyteller. What stories are you telling through your work?
I see my work not as telling stories but rather asking questions about the stories we tell ourselves. My work attempts to reflect how every individual perceives and experiences the world differently, how environmental structures, physical and social, shape our perceptions and in turn how we shape the world individually and collectively. I went through a very visceral change while studying at art school as I acquired a disability from a spinal injury and started using a wheelchair for mobility. Experiencing such a dramatic shift in how I engage with the world and how the world perceived me presented me with an opportunity to play with that fascination of difference in my work as a way to draw audiences into reflecting on themselves. I’ve continued to play with that notion of ‘otherness’ but always mixing in an element of questioning to create space for the audience to reflect on themselves and where they fit into the story.

 
 

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