Lucien is an Award Winning Filmmaker and community artist. In 2024 he was Creative Director of Cairns Festival and Cairns Childrens Festival. The play ‘A mouthful of ‘C’ words’, which he was the commissioning producer for, won the Tasmanian Theatre Award for best Original Writing (2024). The webseries THREAD (Director, Producer, Co-Writer, colourist) was a finalist at the Student World Impact Award (2024) and he produced the creative development of prominent Palawa writer Nathan Maynard’s play ‘The Line’ (2024). He is currently producing Wakemab for Naygayiw Gigi dancers from Saibai Island in the Torres Strait. In 2023 Lucien worked at Dark Mofo as Performing Arts producer, including the Festival headliner ‘A Divine Comedy’. He was the Performing Arts Program Manager at Salamanca Arts Centre (2021-23) where he produced an Experimental and Emerging Performing Arts Program, the critically acclaimed ‘A Mouthful of ‘C’ Words’ for MONA FOMA, wrote the play SOUL CAGE, facilitated an international digital residency with Checkpoint Theatre (Singapore) and was Artistic Director of Winter Light Festival (2021, 2022).
He has a lived experience of disability surviving a near death experience in Sumatra in 1999. The accident was also the experience that drove him to theatre. By the end of the year he was training religiously, learning about writing from Andrew Bovell and Patricia Cornelius, training in various acting techniques including bouffon, butoh, Meyerhold technique from Genadi Bogdanov, Stanislavsky and learning directing, on the job, as Julian Meyrick’s Assistant Director on Fever (Melbourne Workers Theatre). From the accident he lost my peripheral vision, and his eyes both had different focal points, making it impossible to read. I also had an ABI. Theatre helped him heal, the acting workshops taught him how to reorient himself in space, and the desire to create and direct theatre gave him the motivation to learn how to read again.
In 2002 he was offered a job as Artistic Director of Riverland Youth Theatre (RYT). His preference was to accept the offer to study Directing at VCA, to take the well trodden path to contemporary theatre, but, he now had a family, so, he took the job.
Working with regional youth, creating theatre with young parents, creating dance performances with Ngarrindjeri youth showed Lucien that he wasn’t the only person who had an important story. At RYT, he learned that helping people on the margins share their stories and be truly heard not only transformed how they saw themselves, but also fostered empathy and understanding within the wider community.This was a revelation to Lucien, and has become a passion that has defined his career and artistic practice.